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…amera at the brightest object in the picture, the shadows fall to pitch black. You need to point to an 18% gray area or a card, which any director would have had on the set in 1950, and recompose without changing the exposure.
Dirk Dittmer
kasey sparks
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I used to have a gray card! I wonder what I did with it?
making mistakes · gathering lessons · sparking curiosity · wrangling words & fiddling with titles since 2017
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